WORK FROM HOME SONG GENRE PROFESSIONAL

And the majority of English folk songs appear to be members of only seven such tune families.

English folk music, for example, is believed to consist largely of about 40 tune families, each of which descends from a single song. A German variant, for example, may exhibit characteristics of German folk music, while its variant in the Czech Republic, although recognizably related, will assume the stylistic traits of Czech folk music.ДЇolk cultures seem to vary greatly in the internal relationships of their repertoires. Folk tunes also change when they cross ethnic or cultural boundaries. In turn, two new lines may be substituted for the initial two, giving it a form EFAB. In the development of variants, for example, a song with four musical lines (e.g., ABCD) may lose two of these lines and take on the form ABAB. (Accompanying this article are audio recordings of five renditions of вЂњBarbara AllenвЂќ from collections at the Library of Congress.) Bronson, assembling all available versions of the English ballad вЂњ Barbara Allen,вЂќ found 198 versions of the story sung in the English-speaking world, accompanied by tunes belonging to three tune families. The ballad usually known as вЂњLady Isabel and the False Knight,вЂќ studied by Iivar Kemppinen, has about 1,800 renditions, collected in nations throughout Europe and the Americas. Text types, such as narratives that form the basis of ballads, may have numerous variants and versions. Groups of songs (words or music) that appear, on the basis of analysis, to be related are called tune families or text types. Several variants, comprising a body of performances of the song that are clearly related but not homogeneous, might be designated as a form. Several versions, not so similar to each other, would constitute a variant. Thus, for example, several quite similar performances by one singer might constitute a version of a song. In the technical literature about folklore, the terms version, variant, and form may be used to express degrees of relationship. In colloquial discussions of folk songs (or tales), the terms variant and version are used to highlight the differences in ways of singing the same song (or telling the same story). Each performance of a song may be unique. In each region of a country, community, village, or family, and even in the repertory of each singer over time, it may have significant differences. Library of Congress Motion Picture, Broadcasting and Recorded Sound Division, Washington, D.C.Д«ecause a folk song lives largely through oral transmission, it ordinarily does not exist in a standard form. Transmission and variationДЇiddle rendition of the folk song вЂњBarbara Allen,вЂќ performed by Henry Reed recorded by Alan Jabbour at Reed's home in Glen Lyn, Virginia, 1967. An important characteristic of a song or piece in traditional folk culture is, thus, its dependence on acceptance by a community-that is, by a village, nation, or family-and its tendency to change as it is passed from one individual to another and performed. Any new song would be likely to undergo this process of communal re-creation. As a result, it might become shorter or more like new styles of popular or church music, for example. Numerous influences acted on a song, including creativity, forgetfulness, previously learned songs, and stylistic expectations. More likely, however, as it was passed from parents to children and to friends and associates and coworkers, it would be changed. Once introduced, a song could be easily dropped from the repertory. The form of a folk song as heard at any one time, however, is likely to have been very much affected by the entire community because of its life in oral tradition. The repertory of a folk community probably always included songs of very diverse origins.

WORK FROM HOME SONG GENRE PROFESSIONAL

It has become clear, however, that folk songs and other pieces are the result of individual creation, either by villagers or by professional or church musicians whose work is somehow taken up in the folk culture. Where a folk song originated is rarely known to its community, and thus the anonymity of the creative process was once considered a major criterion of folk music identification. General characteristics of folk music Creation and adaptation

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Work from home song genre